![]() “The graphics sequence was inspired by spy films. Timothy Rode shot the Los Angeles footage and also edited,” Fogel added.įor post production, archival specialists and Russian translators were hired and extensive graphics were added to illustrate the doping process on screen. “There were two cameramen and 7 editors, with Jon Bertain as lead editor, and 5 assistants. The filmmakers then scrapped hundreds of hours of footage and added more crew. After Grigory’s revelations, the closely budgeting film exploded. We were filming the whole time as the drama unfolded,” said Fogel. He became a whistleblower and we brought him into protective custody so he could testify in front of the Department of Justice. In an on-camera conversation, Rodchenkov confesses to his involvement in helping Russian athletes to beat doping tests in the Olympic games. Through his connection to Catlin, Fogel was introduced to Grigory Rodchenkov, the director of Russia’s anti doping program, and ultimately the focus of Icarus. With Cogan’s additional financing, Fogel kept plugging away, shooting full time with DP Jake Swantko who traveled the world with him, shooting all of the cycling, car mounts, and drone and verite footage. ![]() It had a high quality level across the board – the cinematography, editing, music, timing, and the concept to prank the sports world was perfect,” revealed Cogan. He managed to get it into the hands of prolific documentary producer, Dan Cogan. After the first year, he put together a 25-minute sizzle reel, showcasing the best of what he’d shot. Photo courtesy of Netflix.įogel started shooting in May 2014 with initial investments in an impassioned sports documentary.
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